#7 Nakht
Northeast of Ramose’s tomb lies the burial place of Nakht, whose antechamber contains a small museum with drawings of the reliefs and a replica of Nakht’s funerary statue, which was lost at sea en route to America in 1917.
Nakht was the overseer of Amun’s vineyards and granaries under Tuthmosis IV, and the royal astronomer, but stargazing does not feature among the activities depicted in his tomb. The only decorated section is the transverse antechamber, whose ceiling is painted to resemble woven mats, with a geometric frieze running above the brilliantly coloured murals.
To one side, Nakht supervises the harvest in a scene replete with vivid details. Beyond a stele relating Nakht’s life is the famous banqueting scene, where sinuous dancers and a blind harpist entertain friends of the deceased.
#8 Sennofer
From Rekhmire’s tomb, slog 50m uphill to the left to find another colourful tomb, in better condition. Entered by a low, twisting stairway, the tomb of Sennofer is known as the “Tomb of Vines” after the grapes and vines painted on the textured ceiling of the antechamber.
As mayor of Thebes and overseer of Amun’s estates under Amenhotep II, Sennofer had local viticulture among his responsibilities. The walls of the burial shrine depict his funeral procession, voyage to Abydos (back, right) and mummified sojourn with Anubis.
Its square pillars bear images of Hathor, whose eyes follow you around the room. A small tree-goddess appears on the inner side of the rear left-hand pillar.
#9 Ramose
The tomb of Ramose, vizier and governor of Thebes immediately before and after the Amarna revolution, lies down a dirt road. His spacious tomb captures the moment of transition from Amun- to Aten-worship, featuring both classical and Amarna-style reliefs, the latter unfinished since Ramose followed Akhenaten to his new capital.
Besides its superb reliefs, the tomb is notable for retaining its courtyard – originally a feature of all these tombs. Along the entrance wall of its pillared hall are lovely carvings that reflect the mellowing of classicism during the reign of Amenhotep III, Akhenaten’s father.
Predictable scenes of Ramose and his wife, Amenhotep III and Queen Tiy making offerings come alive thanks to the exquisite rendering of the major figures, carried over to their feasting friends and relatives. The sinuous swaying of mourners likewise imparts lyricism to the conventional, painted funerary scene, where Ramose, wife and priests worship Osiris.
#10 Deir Al Medina
Deir el-Medina, the Workers’ Village, housed the masons, painters and sculptors who created the royal tombs in the Valley of the Kings. Because many were literate and left records on papyrus or ostraca, we know such details as who feuded with whom, their sex lives and labour disputes.
As state employees, they were supposed to receive fortnightly supplies of foodstuffs and beer, but when these failed to arrive (as often happened during the ramshackle XX Dynasty), the workers downed tools, staged sit-ins at Medinet Habu, or demonstrated in Luxor.
Normally they worked an eight-hour day, sleeping in huts near the tombs during their ten-day shift before returning to their families at Deir el-Medina. In their spare time, craftsmen worked for private clients or collaborated on their own tombs, built beneath man-size pyramids.